A sculpture of a lion stands against a gray background, with an abstract design. One half appears smooth and tan, while the other half is textured with a cracked, white surface. The image is bordered by a bright yellow frame.

Beyond repair

The artist Beth Cavener’s clay animals are caught in the throes of emotions – fear, suspicion, disdain, despair – that humans would often rather avoid. Her staggering new exhibition (Trust) forces us to confront these instincts in ourselves, and asks if we have the empathy needed to rebuild what’s been lost.

A blank white surface with a few small black specks scattered across the image.

RSA Journal Issue 1 2025: Trust

The latest Journal asks how we can restore trust in people, governments and institutions, with contributions from Professor Sir John Curtice, Rachel Botsman and Sumit Paul-Choudhury. Plus sculptor Beth Cavener’s staggering new exhibition.

Cover of RSA Journal, Autumn 2023 issue, on a bright yellow background. Features a sculptural lion's head with a flowing mane. Text mentions Julieta Guller's sculptures and the theme of power.

Features

Become a Fellow today

Join our global community of social innovators and receive your own physical copy of the RSA Journal four times a year among other incredible benefits.


Fellowship


CALL FOR SUBMISSIONS


Do you have an idea for an article for the Journal? If you have a thought-provoking proposal about anything, but particularly something that aligns with our mission, we want to hear from you.

Complete the form and we’ll be in touch.

This field is for validation purposes and should be left unchanged.

RSArchive

Books

What our Fellows and staff are reading


Last Word: belong

Artist Ben Jones uses a mixture of drawing, printmaking and collage to create his artworks, and is influenced by the work of the early 20th century avant-garde and the legacy of Polish poster art.

A vibrant, abstract illustration of overlapping, multicolored birds, primarily in orange and blue tones. Some birds have human figures and faces incorporated into their designs, creating a blend of organic and human forms on a light background.

Read more issues of the RSA Journal