A collage of RSA Journal covers displayed in three rows. The covers vary in design, showing different styles and artistic themes, ranging from minimalist designs to detailed illustrations and colorful graphics.

An exploration of the evolution of the RSA Journal through a look at its covers across time. Since the Society’s founding in 1754, the Journal has functioned as a vehicle to communicate the Society’s mission and those of leading voices for societal progress. It has adapted through significant cultural shifts and design changes, with a major redesign in 2024. The Fellowship is invited to take part in shaping the Journal’s future via a readership survey.

Reading time

Four minutes

Looking back at the visual history and key milestones of RSA Journal – and to the exciting future ahead 

The RSA was founded in 1754 as The Society for the Encouragement of Arts, Manufactures and Commerce. Since its beginnings, the Society’s journal, in whatever form, has been a way to communicate its purpose, mission and actions, and to showcase leading voices for progress, all in the service of creating meaningful societal change. Viewed through the lens of its covers, it’s clear to see how the publication has proactively evolved along with the times, embodying changing design inspirations alongside significant cultural shifts. 

It has also served as a loyal companion to its readers through times of upheaval. At the advent of World War II, the opening message in the September 1939 edition of The Journal of the Royal Society of Arts, as it was then known, read: “For nearly two hundred years, in peace and in war, the Society has continued its unique work…and in the present conflict it will endeavour to maintain to the utmost its position of usefulness in the life of  the country.” 

Visually, the Journal has gone through many evolutions. It began as purely typographical and evolved into a publication known (and awarded) as much for its design as its words. 

In 2024, the Journal underwent its most substantial redesign in decades, breathing new life into its pages and positioning itself at the centre of a broader content universe, with the goal of continuing the important conversations started within its pages off into the digital sphere. In 2025, we will continue this evolution, and we look to the Fellowship for input. Visit the URL to fill out our Reader Survey and be part of RSA Journal’s next century of progress! 

RSA Journal TIMELINE: 1783-2025


1783

Title page of a 1783 book titled "Transactions of the Society, Instituted at London, for the Encouragement of Arts, Manufactures, and Commerce," printed by C. Spilsbury. It is the third edition, offering premiums.

The Transactions of the Society comprised notes from meetings and transactions and was the Society’s first formally published communication

1852

Page from the Journal of the Society of Arts. The text discusses changes in journal publication, efforts of various committees, and mentions a recent meeting. Dated Friday, November 26th, 1852, it includes a list of committee members at the bottom.

The first Journal of the Society of Arts. It was designed to record the work of the Society and contained the formal proceedings, notices and the appointment of various committees and their areas of interest

1908

A 1908 page from the Journal of the Royal Society of Arts. It includes notices, event dates, lecture topics, and proceedings of the society. The layout is structured in columns with formal typography typical of early 20th-century publications.


The ‘Royal’ prefix was added to the title, becoming the Journal of the Royal Society of Arts

1939

Page from the "Journal of the Royal Society of Arts," dated September 22, 1939. The text discusses the relocation of the society's administration due to the war and mentions ongoing activities and lectures despite the disruptions.


The Journal’s message at the beginning of World War II shows commitment to its values


1952

Cover page of "Journal of the Royal Society of Arts" dated 22 August 1952, featuring "The Festival of Britain 1951" by Sir Gerald Barry. It discusses lectures given on 12 May 1952, reflecting on the festival's significance and events.

The RSA was a key player in the creation of the 1951 Festival of Britain. This exhibition showcased British achievements in art, science and technology

1980

Cover of the March 1980 issue of The Royal Society Journal. Features a purple background with a black illustration of a classical building. Text includes contents, volume and issue number, and price.

The Journal  takes on a new style, with block colour backdrops and an illustration of RSA House on the front

1988

Cover of the RSA Journal, March 1988. It includes article titles such as "Bridging the Unemployment Gap" and "The Way Ahead - Opportunities for Co-operation." Text mentions the Royal Society of Arts, Manufactures & Commerce, founded in 1754.

The late 1980s saw the publication’s name change to its current title, RSA Journal, and heralded the advent of the Royal Designer for Industry (RDI) initiative


1990s
The Journal shifts to image-led covers that differ for each edition, from the abstract to the illustrative

1990

A cover illustration of RSA Journal, Vol. CXXXVIII, No. 5410, from September 1990. It features a black and white sketch of a courtroom scene with a judge, lawyers, and people in the gallery. Various article titles and authors are listed below.

The Journal has featured the work of many notable artists, including this cover by illustrator, cartoonist and RDI Quentin Blake

1990

Cover of RSA Journal from December 1990. Features geometric abstract art: a red triangle and circle on a green background with a black curved line underneath. Text includes issue details and a list of featured articles.

1991

Cover of RSA Journal, January 1991. Left: abstract sketches in pencil. Right: geometric silhouette of a person with red, blue, and yellow elements and the number "1951." Text lists articles by various authors.

An anniversary edition, celebrating 
40 years since the Festival of Britain

1993

Cover of RSA Journal, December 1993, featuring an abstract painting with various colorful shapes. The text highlights articles on topics like Richard Martineau on Town Hall, Sir Brian Fall on Russia Tomorrow, and Helen Sharman on Journey into Space.

Late 1990s
Editor Imogen McEvedy spearheads a major design change for the Journal

1994

Cover of the RSA Journal, May 1994, showing a grid with a computer wireframe of a person reclining and reading. Text includes article topics: United Nations, England's countryside, IT and education, and a biography of Victoria Glendinning.

1999

A pigeon stands on a stone plinth against a cloudy sky, with a thought bubble featuring a question mark above its head. The cover text reads "RSA Journal." Topics listed include "The Fourth Plinth," "Entrepreneurship," and more.

This cover image highlighted the Fourth Plinth Project, an RSA initiative (spearheaded 
by then President Prue Leith) to bring a revolving series of artworks to the empty plinth in London’s Trafalgar Square


2001

A target paper with red, blue, and white concentric circles is pierced by bullet holes and clipped to a black background. The text reads "RSA Journal." Topics listed below are: "Professions under fire," public service pressures, citizenship, and futures.

2001

A close-up of a magazine cover showing a child's head partially covered by a turning page. An illustration of a brain is visible on the flipped page. Text reads "RSA Journal" and "Opening minds: Curriculum for the 21st Century | Science and the Media.

2013

A magazine cover titled "RSA Journal Summer 2013" featuring a wingback chair upholstered in red and white patterned fabric. The theme is "Caring homes," with articles by Onora O'Neill, Stephen T Asma, and Susan Himmelweit.

2022

Cover of RSA Journal, Issue 1, 2022. Features a mobile with tech and science-themed objects, like a planet and electronic symbols, over a dark grey bed. Highlights topics on skills for the future, green skills research, and global education.

2024

Illustrated cover of RSA Journal, Issue 1 2024, featuring diverse portraits of historical and contemporary figures. Bold text in the center reads "270 Years of the RSA.

The first edition of the year celebrated the 270th anniversary of the Society and the Journal’s redesign, undertaken in collaboration with its longtime agency partner, Wardour

2025…

Cover of the RSA Journal featuring a close-up of a textured, sculpted animal head by Beth Cavener against a bright yellow background. The headline reads: "Rebuilding trust: Artist Beth Cavener’s sculptures explore the power – and fragility – of what connects us.


Reader survey

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This article first appeared in RSA Journal Issue 1 2025.

RSA Journal 1 2025 Spreads For Web PDF, 4.04 MB

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